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Wish the audience would have stopped clapping ... out of sync.
ecomaniac wrote:
It is my understanding that very little in the world is new. Sometimes I just like to appreciate the music as is.
There's no doubt this album has great music on it. The question is: how much of it did Paul actually create?
It is my understanding that very little in the world is new. Sometimes I just like to appreciate the music as is.
ecomaniac wrote:
Oh give it a rest. FFS.
There's no doubt this album has great music on it. The question is: how much of it did Paul actually create?
Oh give it a rest. FFS.
There's no doubt this album has great music on it. The question is: how much of it did Paul actually create?
Such good players
Cultural Appropriation or Cultural Appreciation?
Typesbad wrote:
Never much cared for the concept of cultural appropriation. Pretty much all music carries prior influences, some from within the same genre, and some - often the best - have influences from other genres. When the genre comes from another race, is that suddenly forbidden? Sure would have lost out on a lot of good blues and blues-based rock with that thinking. In fact, I'd say it is how this thing called "Rock" has stayed fresh for six decades. Plus, when a popular music artist has a song or album that displays obvious influence from another culture, when has that ever NOT brought increased attention to the music of that culture?
Personally I find most complaints of cultural appropriation are born out of snobbery, along the lines of "This is nothing, you should hear the real thing!" Of course many people will go on to do just that, but what the complainer really wants to get across is "I'm so cool, I found this stuff without that guy!" Well good for you. Here's your medal.
Right on.
Never much cared for the concept of cultural appropriation. Pretty much all music carries prior influences, some from within the same genre, and some - often the best - have influences from other genres. When the genre comes from another race, is that suddenly forbidden? Sure would have lost out on a lot of good blues and blues-based rock with that thinking. In fact, I'd say it is how this thing called "Rock" has stayed fresh for six decades. Plus, when a popular music artist has a song or album that displays obvious influence from another culture, when has that ever NOT brought increased attention to the music of that culture?
Personally I find most complaints of cultural appropriation are born out of snobbery, along the lines of "This is nothing, you should hear the real thing!" Of course many people will go on to do just that, but what the complainer really wants to get across is "I'm so cool, I found this stuff without that guy!" Well good for you. Here's your medal.
Right on.
I was there, although so far away couldn't see anything.
nathanieldavis89 wrote:
I agree: I prefer the studio version
Still a weak 7
I prefer the studio version, but I'm one of the millennials who grew up on this album because of my boomer parents, so it'll forever be close to my heart.
I agree: I prefer the studio version
Still a weak 7
I prefer the studio version, but I'm one of the millennials who grew up on this album because of my boomer parents, so it'll forever be close to my heart.
thewiseking wrote:
Never much cared for the concept of cultural appropriation. Pretty much all music carries prior influences, some from within the same genre, and some - often the best - have influences from other genres. When the genre comes from another race, is that suddenly forbidden? Sure would have lost out on a lot of good blues and blues-based rock with that thinking. In fact, I'd say it is how this thing called "Rock" has stayed fresh for six decades. Plus, when a popular music artist has a song or album that displays obvious influence from another culture, when has that ever NOT brought increased attention to the music of that culture?
Personally I find most complaints of cultural appropriation are born out of snobbery, along the lines of "This is nothing, you should hear the real thing!" Of course many people will go on to do just that, but what the complainer really wants to get across is "I'm so cool, I found this stuff without that guy!" Well good for you. Here's your medal.
Never much dug the Lil Fella's Cultural Appropriation, whether of Peruvian Folk, South African or Latin Rhythms. Who needs it when you can go to the source material?
Never much cared for the concept of cultural appropriation. Pretty much all music carries prior influences, some from within the same genre, and some - often the best - have influences from other genres. When the genre comes from another race, is that suddenly forbidden? Sure would have lost out on a lot of good blues and blues-based rock with that thinking. In fact, I'd say it is how this thing called "Rock" has stayed fresh for six decades. Plus, when a popular music artist has a song or album that displays obvious influence from another culture, when has that ever NOT brought increased attention to the music of that culture?
Personally I find most complaints of cultural appropriation are born out of snobbery, along the lines of "This is nothing, you should hear the real thing!" Of course many people will go on to do just that, but what the complainer really wants to get across is "I'm so cool, I found this stuff without that guy!" Well good for you. Here's your medal.
thewiseking wrote:
I think the blending makes it accessible. It might break some PC rules, but for me that's alright where music is concerned. Especially as a transition to the music of other cultures.
Never much dug the Lil Fella's Cultural Appropriation, whether of Peruvian Folk, South African or Latin Rhythms. Who needs it when you can go to the source material?
I think the blending makes it accessible. It might break some PC rules, but for me that's alright where music is concerned. Especially as a transition to the music of other cultures.
Never much dug the Lil Fella's Cultural Appropriation, whether of Peruvian Folk, South African or Latin Rhythms. Who needs it when you can go to the source material?
Fabulous song from a fantastic album! Amazing, powerful rhythms and staggering lyrics of an elevated sort of poetry not found today...