Avg rating:
Your rating:
Total ratings: 1392
Length: 4:48
Plays (last 30 days): 1
Searching for something to say
Flashing lights against the sky
Giving up I close my eyes
Sitting cross-legged on the floor
25 or 6 to 4
Staring blindly into space
Getting up to splash my face
Wanting just to stay awake
Wondering how much I can take
Should I try to do some more
25 or 6 to 4
Feeling like I ought to sleep
Spinning room is sinking deep
Searching for something to say
Waiting for the break of day
25 or 6 to 4
25 or 6 to 4
You haven't lived until you've seen this performed by a fifth grade choir at the school's annual spring concert.
🤣
Okay. So who ran off with one of my milk crates full of vinyl and gave it to Bill? Such a great tune; haven't heard it in many many years. Thanks.
Ha!
You should check out Lexington Lab Band on YouTube. They pull this song off, note for note. Even the guitar solo!
The album Chicago Live at Carnegie Hall is PERFECTION
springof63 wrote:
Fantastic tune. This was goin round in the back of my head every now & then for at least 20 years before i finally got a copy of it. BUT
it has possibly the worst 'ending' i've ever heard (just the last 4 bars). Was that 'ending' really the best they could come up with for such a great record? i'd like to think 'no'!
I haven't changed my mind - still a great record, a fantastic tune, and a frustratingly disappointing ending.
.
Having read some more of the comments since that post, leaves me wondering - When it comes to a song with a 'what's it about' feel to it, do most people just assume it must be about recreational pharmaceuticals? That's not a criticism, just a curiosity.
.
Wow it's 24 to 4 (in the afternoon) right now!! (GMT)
Release date 1970 though I believe.
That sounds like an incredible experience!
I went to a Jazz concert at Plattsburgh State (NY) 1974(?) I had my mother join me, and much of their repertoire that night was Chicago. My mother left with her eyes WIDE open and said "When is the next concert?"
She missed very few jazz concerts until her death (1993), but I have to say THIS was the best!
You haven't lived until you've seen this performed by a fifth grade choir at the school's annual spring concert.
That sounds like an incredible experience!
Terry Kath plays that guitar solo as if he knows it will be historic, endlessly studied and revered, and rarely matched.
I Agree!!
before complaining about the ending, remember the context - this was a two-album concept piece, and the sting set up the next song. My first rock album...
Good point. I'd forgotten.
They played the PNE a few years ago and I dragged my 11 year old. I danced my face off and she was mortally embarrassed.
Parenting Win.
They played the PNE a few years ago and I dragged my 11 year old. I danced my face off and she was mortally embarrassed.
I like your style. Took my young lad to see Paul Carrick and he was clearly the youngest in the house by at least 30 years. Never mind, he'll remember it fondly when I've gone, as will your young 'un.
I worked for a band in 1970 that could play this note for note. Except for the guitar parts, poor guy never had a chance.
You should check out Lexington Lab Band on YouTube. They pull this song off, note for note. Even the guitar solo!
"Lamm said the song is about trying to write a song in the middle of the night. The song's title is the time at which the song is set: 25 or 26 minutes before 4 AM (twenty-five or [twenty-]six [until] 4).[3][4] Because of the unique phrasing of the song's title, "25 or 6 to 4" has been interpreted to mean everything from a quantity of illicit drugs to the name of a famous person in code."
I learned something new today.
erm, no;
I don't think so.
but, better than what ?
but I do think that "I'm a man" leaves Traffic miles behind.
Chicago Transit Authority....
and then Clapton saw Hendrix.
'nuff said.
Apparently not " 'nuff said". I can't decipher what you're saying at all. Are you saying Terry Kath was good or not? What does Clapton have to do with this? I'm confused.
Banana approves , easy 9
erm, no;
I don't think so.
but, better than what ?
but I do think that "I'm a man" leaves Traffic miles behind.
Chicago Transit Authority....
and then Clapton saw Hendrix.
'nuff said.
TERRY KATH
Hannio wrote:
This, in all its moribund pomposity, is the quintessential Chicago song. What the heck do you hear when you think of Chicago?
That's the best comment I've read all year! Love it. (I guess it helps that I agree 100%.)
To the youngsters: 1/2 a century ago some of us knew how to party.
To the youngsters: 1/2 a century ago some of us knew how to party.
"Moribund Pomposity" would make a good band name, or at least a good title for a novella.
Moribund Pomposity is the name of my Kanye West cover…
wait, even I can't finish that joke.
This, in all its moribund pomposity, is the quintessential Chicago song. What the heck do you hear when you think of Chicago?
"Moribund Pomposity" would make a good band name, or at least a good title for a novella.
AM radio full blast in the family car!!!
it has possibly the worst 'ending' i've ever heard (just the last 4 bars). Was that 'ending' really the best they could come up with for such a great record? i'd like to think 'no'!
i always liked the ending,
it seems appropiate for the subject
to me at least
One of those drug songs!
I presume that your comment is wry or ironic. It is NOT one of those drug songs. It was said to be, but it's not.
One of those drug songs!
Nice link!
I didn't know anything about Kath and the article made me stop to really listen to this song.
Documentary about Kath
"‘Hi, I’m Jimi Hendrix. I’ve been watching you guys and I think your guitarist is better than me.”
Nice link!
I didn't know anything about Kath and the article made me stop to really listen to this song.
I heard this song earlier this week and I was thinking the same thing.
This, in all its moribund pomposity, is the quintessential Chicago song. What the heck do you hear when you think of Chicago?
It's definitely the early jazz-rock Chicago, before Peter Cetera and soft rock turned the band into a freakin' joke that still infects most people's memories of the band.
I would definitely not associate the phrase "moribund pomposity" to this song. I think we can agree that it was a different time. This still works well for me.
Not if you were 15 in 1985! That's when I bought the greatest hits album!
it has possibly the worst 'ending' i've ever heard (just the last 4 bars). Was that 'ending' really the best they could come up with for such a great record? i'd like to think 'no'!
The song with the worst ending was 'Spinning Wheel."
Oh yeah, we're probably also getting a late-season snowstorm, and we'll all come out to our cars with snow up to the bumpers.
Other than that, this song doesn't really do anything for me!
it has possibly the worst 'ending' i've ever heard (just the last 4 bars). Was that 'ending' really the best they could come up with for such a great record? i'd like to think 'no'!
"Waiting for the break of day..."
"Saturday in the park, I think it was the 4th of July..."
"I was walking down the street one day..."
BILLG - MORE CHICAGO!! How about "Lowdown" or "What's This World Coming To" <-the most amazing Chicago-like tune they did.
Or anything from the Kath period.
"‘Hi, I’m Jimi Hendrix. I’ve been watching you guys and I think your guitarist is better than me.”
Back when I was in high school in the 60's, my 50 year old mom even liked Chicago. She quit bad mouthing what was considered modern music at the time after listening to Chicago. Led Zeppelin and the Rolling Stones never really made her list of good music. But after listening to Chicago II, she started liking the Beatles, Elton John and a few others from the 70's. But Chicago II was the start.
This is the signature song because before air guitar everyone who picked up a real guitar could play this bass line.
Chicago has many great songs.
This, in all its moribund pomposity, is the quintessential Chicago song. What the heck do you hear when you think of Chicago?
That's the best comment I've read all year! Love it. (I guess it helps that I agree 100%.)
This, in all its moribund pomposity, is the quintessential Chicago song. What the heck do you hear when you think of Chicago?
I like to think if it as having a wider experience of life :)
Despite the presence of Paul
LOL!
Swarmy canuck.
Hey SmackDaddy...I still watch Dave.
Paul Shaffer's band plays this pretty regularly, and apparently some people still watch Dave's show.
Despite the presence of Paul
Agreed. Seems to be the case with so many artists/bands.
They put out a few great albums and then start churning out schmaltzy "product".
Rod Stewart, Elton John, Stevie Wonder . . . and so on . . .
They were SO GOOD those first few albums, it just always hurt to see where they went.
Edit: correct album side
10++
I highly recommend seeking out YouTube videos of a 2004 tour featuring Earth Wind and Fire and Chicago. Though they each did separate performances, the two bands jammed together at the end – and they really cooked, especially on the early Chicago numbers such as "Beginnings," "Saturday in the Park" and – yes – "25 or 6 to 4" (EWF Bassist Verdin White is amazing in these) Here's the link to the last video: https://www.youtube.com/watch?v=z_yfyL1eU08
Paul Shaffer's band plays this pretty regularly, and apparently some people still watch Dave's show.
Paul who? Dave? Dave's not here, man.
Paul does play a lot of Chicago, probably because he has horns to work with, and there is a dearth of horn-centric popular music out there. Much to my chagrin.
I read his book, it's pretty funny. He was quite a prodigy.
Paul Shaffer's band plays this pretty regularly, and apparently some people still watch Dave's show.
2.Terry Kath
3. perpetuity
Anyway, after the road trip, the song got stuck in my head so I exorcised it by taking the compilation The Very Best of Chicago: Only the Beginning for a spin on Spotify. The first half was a surprisingly fun listen, bringing back memories of hearing most of their 1970s songs on AM radio when I was a kid. The second half with Peter Cetera in charge, well, it was no better than ever. Fortunately, Spotify omitted about ten of the tracks from that section.
I still have no idea what "25 or 6 to 4" means, and I still don't care.
About writing a song in the early morning.
GREAT Guitar and Drums
The most under rated rock band through the years.
CTA, II, III and V all great albums.
Bill you should play Dialogue sometime - Very relevant to 2008 and 2010.
Totally agree.. Or play "Fancy Colours" for something different.
Here I am (circled, lower left) on the movie crew at the 1970 Goose Lake International Pop Festival in Michigan's Irish Hills (south of Jackson). I was up close and personal for a kick-ass performance by Chicago Transit Authority, as they were then known.
(Bob Seger pictured on stage.)
Cool! I just got quoted on the air!! :)
Cool story jen!
Must be nostalgia day at Radio Paradise. Bill is targeting us 1/2 century and older types with a line up that approaches deadly precision. -hehe-
My mom told me she was at a Chicago concert while pregnant with me and that my first kick was during this song. No wonder I like it so much!
All these wild-ass guesses on the meaning of the title...
Why don't we ask Robert Lamm what it means?
FROM "THE STRAIGHT DOPE": The song "25 or 6 to 4" appeared on "Chicago II" and was written by organist/vocalist Robert Lamm. The title and lyrics have puzzled many since it appeared in 1970. Some say it's a drug reference, suggesting a unit of measurement involving the quantity of joints that can be rolled from a what-used-to-be dime bag. Some feel it's about looking for spiritual revelation, undergoing a mysterious soul-searching journey.
Lamm says it's simpler than that. "The song is about writing a song. It's not mystical," he says.
As for the curious title, Lamm says, "It's just a reference to the time of day"—as in "waiting for the break of day" at 25 or (2)6 minutes to 4 a.m. (3:35 or 3:34 a.m.)
I think we can take Lamm's word for the whole thing. Because, when it's that early in the morning, does anybody really know what time it is?
No matter what it means, it's a true classic, and a 10 for me.
25 was street lingo in the late '60s. To me, the lyrics of this song fits that.
Amen, brings back many a fond memory from up in the mtns of Colorado
I liked the acid trip story better.
Ransom Stoddard: "You're not going to use the story, Mr. Scott?
Maxwell Scott: "This is The West, sir. When the legend becomes fact, print the legend."
All these wild-ass guesses on the meaning of the title...
Why don't we ask Robert Lamm what it means?
FROM "THE STRAIGHT DOPE": The song "25 or 6 to 4" appeared on "Chicago II" and was written by organist/vocalist Robert Lamm. The title and lyrics have puzzled many since it appeared in 1970. Some say it's a drug reference, suggesting a unit of measurement involving the quantity of joints that can be rolled from a what-used-to-be dime bag. Some feel it's about looking for spiritual revelation, undergoing a mysterious soul-searching journey.
Lamm says it's simpler than that. "The song is about writing a song. It's not mystical," he says.
As for the curious title, Lamm says, "It's just a reference to the time of day"—as in "waiting for the break of day" at 25 or (2)6 minutes to 4 a.m. (3:35 or 3:34 a.m.)
I think we can take Lamm's word for the whole thing. Because, when it's that early in the morning, does anybody really know what time it is?
No matter what it means, it's a true classic, and a 10 for me.
Definitely a soft spot in my heart for early Chicago.
Reminds me of my older sister.
Why did my mind wait for it to break into Saturday, in the Park" ? Did that happen in the LP?
God, I love being old. Makes me feel like I own all this music...
Ha!
🤣 I agree with me. And with liveaudio608, of course!