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Length: 5:37
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Playing with this bow and arrow
Gonna give my heart away
Leave it to the other boys to play
Been tempted for too long
Go on, give me a reason to love you
Give me a reason to wanna your man
Give me a reason to love you
Give me a reason if you can
From this time, unchained
We're all looking at a different picture
Through this new frame of mind
A thousand flowers could bloom
Move over, move over, and give us some room
Go on, give me a reason to love you
Give me a reason to wanna be your man
Give me a reason to love you
Reason
Don't you stop looking like some woman
Take a little look from the outside if you can
Saw a little tenderness
Go on, give me a reason to love you
Give me a reason to want to be your man
Give me a reason to love you
Oh please, give me a reason if you can
This is the beginning of forever and ever, ever, ever
I'm so tired of playing
Of playing with this bow and this arrow
Gonna give my heart away
Gonna leave ti to the other boys to play
I've been tempted too long
Too long
I've been tempted every day
Tempted too long
Oh please
Give me a reason too love you
Give me a reason to want to love you
Give me a reason to love you
Give me a reason every day
Reason every day
If you like this version, the Avener remix of it is also a lot of fun. Martyn's acoustics redigitized. I enjoy both, and the original, too.
the avener remixes alot, fun stuff; give them slow songs a beat
Every time I hear this cover I think, no. Just stop. Without the range of octaves Portishead has you can't do this song justice with the tone inflection and emotion
I am hearing this song for the first time. I've never heard the Portishead version. I find Martyn's version riveting. His voice sounds as worn as his body probably was, at the time. His voice comes out of the music in an almost surreal way: wanting, agonized, insistent, almost desperate. A stellar version, regardless of whatever other takes there are out there of this song.
I had it in the hospital when I was pregnant. Wonderful stuff. Too wonderful -- I hope I never need it again.
While it worked okay when I was a teen and broke my leg (nasty, nasty break) it did nearly nothing for me but take the edge off when I had a kidney stone. Oxycodone worked better without doing much but make me sleepy as a side effect.
Have you tried morphine? I hear it's great.
I had it in the hospital when I was pregnant. Wonderful stuff. Too wonderful -- I hope I never need it again.
Being of a generation and possibly a disposition that could not perceive these things, John's rebuttal here falls down and rather makes Beth Gibbon's point for her.
Which is pretty poetic. Plus, the production values are lush and I love a bit of blues noodling. This version of Glory Box, when juxtaposed with the original, elevates them both, in my opinion.
GD! Really, of all the covers they did this morphine drip of a song?
Have you tried morphine? I hear it's great.
Those were the days!
I'm very happy to give credit where it's due. I'm a massive fan of John Martyn (whom I saw live at least a dozen times) but his version shows up the song for the dull plodding progression that it is, outwith Portishead's production.
(portishead did)
Problem with a great artist covering a mediocre song is that the song gets shown up.
Hey, it's John Martyn, not Duran Duran.
If you like this version, the Avener remix of it is also a lot of fun. Martyn's acoustics redigitized. I enjoy both, and the original, too.
Look after the king of R n R please
Shoulda leave it to Portishead to play
Shoulda leave it to Portishead to play
I 'kinda' agree, but seeing as he's a friend of Beth's - I'll allow it!!
nice version...along side Portishead...more acoustical...more stripped down...well done
I like the wobbly momentum and roomy arrangement: sometimes just bass, sometimes just drum, voice. Imagine staying out in town too late at night and hearing this, a reason to ...
Since I haven't seen it mentioned here yet... Yes, this song is a cover of Portishead's "Glory Box", but that song draws heavily from Isaac Hayes' "Ike's Rap II". So much so that I would consider Glory Box a Hayes cover; the whole loop (strings and all) was sampled, only the vocal part (and some drum machine acrobatics) were added by Portishead. If I remember correctly, Tricky (or was it JJ Johanson?) also used the same loop in one of his songs. That said, I still like the Portishead version best, but this one isn't bad at all. It's fun to play all four versions one after the other, and let your friends wonder who stole from whom :-)
That was Tricky's Hell Is Round the Corner. Legend has it one of the Portishead boys played an early demo of Glory Box for him and the dude went and used the Hayes sample in a song of his own. I like both songs tho, so I'm glad he stole their idea to steal Hayes' hook. :P
Shoulda leave it to Portishead to play
nice version...along side Portishead...more acoustical...more stripped down...well done
"is well in his chords"?
Nah, this cover doesn't work.
Shoulda leave it to Portishead to play
I disagree, he doesn't try to imitate the original, and the song is well in his chords.
Look after the king of R n R please
Hey, it's John Martyn, not Duran Duran.
Maybe neither....maybe both. I don't mind which, just loving it.
Although a fan anyway; this is one awesome cover version, better than the original (which I like) IMO
LLRP
Nina Simone? - Nah..
A drunk Nina Simone?...... - Uh, neither
Oh! Some drunk guy
Still gave it a 7.
More like Drunken Karaoke Night on Skid Row....
My first exposure to this man, and Wow. What soul.
to the nay-sayers...
That has had a few too many...
Yikes! I'm not sure exactaly what a 'Glory Box' is - hopefully not even close to a 'Glory Hole' - and I find it odd that the words "Glory Box" do not appear in the lyrics at all - in fact no reference of any sort of box.
I like the guitar work on this track, although I think I've heard better from John Martyn on RP recently. I'll rate this a 6 and maybe in one of my 'cool relaxed evening' modes I'll up it to a 7 or 8.
Happy Friday y'all - Peace, Drugs, Love and RocknRoll - all at once or whatever order.
AFTER
thank you.
I love it because it is John Martyn.
AFTER
Yes. Exactly. The soul of the thing leaks right out behind it.
I know, right. I mean George Michael, Lyle Lovett, Wille Nelson, David Sylvian could all do a version of this song, but something lacks from the original pathos.
It still gives me chills when I hear his voice and distinctive style.
Do we still have such talent out there performing now? Obviously, there must be some, but I am struggling to think of an artist who can currently compare. . .
Jong Un, is that you?
I'll never forget seeing him, for the first time, on BBC's OGWT and being wowed by the music he was producing with only a guitar (albeit with three pickup feeds and tape delay).
I was thinking the same thing. Is this the original version? Please put down the bottle before singing.
That's like saying that the vocals on Great Gig in the Sky are not real words. John Martyns soulful style of vocal later in his career is purposefully slurred to obfuscate the lyrics. A vocal glissando if you will. No, this isn't the original, just a cover he did regularly live and made it on to this fantastic electronic triphoppy album.
I was thinking the same thing. Is this the original version? Please put down the bottle before singing.
This is a portishead song.
He lost his wife, he lost his leg, after all he lost his life. But his music never got lost of spirit and soul, and I'm not talking about the the spirit of alcohol.
Desolation Row.I was thinking the same thing. Is this the original version? Please put down the bottle before singing.
agree ! only 2 points from me...
Have Mercy, he forgot putting his teeth in.
Anything J.M. is glorious.....glorious fool.
Nearly laughable!
agree ! only 2 points from me...
Cause the origional is better.