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Length: 6:17
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Around me - buffalo robe - sage in bundle - rub on skin
Outside - cold air - stand, wait for rising sun
Red paint - eagle feathers - coyote calling - it has begun
Something moving in - I taste it in my mouth and in my heart
It feels like dying - slow - letting go of life
Heya Wambdetanka! (Arise Big Eagle!) [http://dakota-march.50megs.com/prisonersnamesmen.html]
Medicine man lead me up through town - Indian ground - so far down
Cut up land - each house - a pool - kids wearing water wings - drink in cool
Follow dry river bed - watch Scouts and Guides make pow-wow signs
Past Geronimo's disco - Sit 'n' Bull steakhouse - white men dream
A rattle in the old man's sack - look at mountain top - keep climbing up
Way above us the desert snow - white wind blow
I hold the line - the line of strength that pulls me through the fear
San Jacinto - I hold the line
San Jacinto - the poison bite and darkness take my sight - I hold the line
And the tears roll down my swollen cheek - think I'm losing it - getting weaker
I hold the line - I hold the line
San Jacinto - yellow eagle flies down from the sun - from the sun
We will walk - on the land
We will breathe - of the air
We will drink - from the stream
We will live - hold the line
Yes, and his best album, IMO.
Just before he became googa-famous with "Sledgehammer" and so on.
This song was also incredible live.
The great moment of gentle mockery when he sings "...past 'Geronimo's Disco'..." and gives a gentle disco twist of his hips, pointing out the wrongness of such a thing.
This was always a moving song live. Had the pleasure of seeing him do it maybe a half dozen times since the tour when this album was released.
Oh - and check out the German version. More greatness.
"Brian Pern"........! (is it only in the uk?)
I think you're right. To me, it also felt as if the death paralleled the loss of native American culture.
This song always makes me think of the young students I used to teach. We'd often end up around a campfire where they would become the "Scouts and guides making powwow signs." Although I wasn't effective in holding this conversation, I'd try to communicate that our imitation of culture were quite shallow. I still wonder how I could respond (or even if I should) if this happens in the future.
Sounds like you had two challenges: trying to explain a culture completely different from modern America's and one that disappeared a long time ago. It's hard enough to capture the essence of your own culture from 50, 100, 150 years ago. The whole flap about the Confederate flag recently made me chuckle, because most Southerners who lived under that flag during the Civil War would be horrified and mystified by today's celebrators of the Lost Cause. This gradual detachment of one generation from the culture and mindset of previous generations happens all the time. Certain events like war, major economic troubles like the Great Depression, or the rise of new technology (the phone, the mass-produced car, TV, the Web, smartphones) accelerate that erosion of connections between one age and the next.
So how close can we get to the mindset of the past, or another culture in our midst? "San Jacinto" makes you think about the gap between the worlds but it can only fire your imagination to think about the Native American's world. But it's a great song partly because it does fire your imagination and make you think about loss of a way of life that had great value and beauty and power.
2/17/16 edit: PG explains the origin of the song: https://www.youtube.com/watch?v=QqZhQgihUgk
gfp wrote:
This song was better live! (Like all the other songs on the Plays Live album, 1983.) Gabriel sounds like he's singing into (or out of) an empty tin can on his old studio stuff.
Yes! "Plays Live" was a brilliant album.
This song was also incredible live.
This song was better live! (Like all the other songs on the Plays Live album, 1983.) Gabriel sounds like he's singing into (or out of) an empty tin can on his old studio stuff.
I think it has to do with a Native American elder's right of passage into the Shadow World. It always strikes me as so beautiful, this natural embrace of death after a long life, the death of an old person full of courage, dignity and honor.
I've personally associated it with the two times I'd experienced a sweat lodge ceremony - among the most moving experiences of my life. This song never fails to move me to tears and is probably my favourite Peter Gabriel song.
This song was also incredible live.
And same here again.
And so very obviously Gabriel's TRUE best album, not the much-hyped 'So', which is just... very good ;-)
ditto
lily34 wrote:
This is probably my favorite PG song. So original and powerful. Incredible live as well. Listen to Tony Levine's stick bass. Awesome.
same, same, same
And same here again.
And so very obviously Gabriel's TRUE best album, not the much-hyped 'So', which is just... very good ;-)
lily34 wrote:
This is probably my favorite PG song. So original and powerful. Incredible live as well. Listen to Tony Levine's stick bass. Awesome.
same, same, same
Jmr1371 wrote:
This is probably my favorite PG song. So original and powerful. Incredible live as well. Listen to Tony Levine's stick bass. Awesome.
same, same
Godlike
This is probably my favorite PG song. So original and powerful. Incredible live as well. Listen to Tony Levine's stick bass. Awesome.
same
I think you're right. To me, it also felt as if the death paralleled the loss of native American culture.
I think it has to do with a Native American elder's right of passage into the Shadow World. It always strikes me as so beautiful, this natural embrace of death after a long life, the death of an old person full of courage, dignity and honor.
I think you're right. To me, it also felt as if the death paralleled the loss of native American culture.
Amazing studio work as well. What a mood.
Mesmerising triangles
I'm still in ...
This is probably my favorite PG song. So original and powerful. Incredible live as well. Listen to Tony Levine's stick bass. Awesome.
subscribe all
for some reason, even from the first time i heard this song when the album came out, it's always really moved me and made me sad. i should learn what it's about. may have to read up.
thanks for playing it, bill!
I think it has to do with a Native American elder's right of passage into the Shadow World. It always strikes me as so beautiful, this natural embrace of death after a long life, the death of an old person full of courage, dignity and honor.
for some reason, even from the first time i heard this song when the album came out, it's always really moved me and made me sad. i should learn what it's about. may have to read up.
thanks for playing it, bill!
The last 1:20 are a 6
Using no mathematical algorithm whatsoever, I'll call it 9.