B-tribe — Overture (Concierto de Aranjuez)
Album: Sensual Sensual
Avg rating:
Your rating:
Total ratings: 1060
Released: 1998
Length: 3:57
Plays (last 30 days): 1
Avg rating:
Your rating:
Total ratings: 1060
Length: 3:57
Plays (last 30 days): 1
(instrumental)
Comments (39)add comment
A nice, respectful reworking of Rodrigo's classic.
Like others, I prefer the John Williams and Miles Davis versions, but there's plenty of room in the world for this rather spacy take on a fabulous piece of music.
alexandersmcmillan ha scritto:
Woah... Ottimo seguito da Clannad ("Harry's Game").
Caro Amore Fabrizio de Andrè
aspicer wrote:
I Agree! That is why we come here. Thanx RP!
That was a first and quite nice!
I Agree! That is why we come here. Thanx RP!
Woah... Great segue from Clannad ("Harry's Game").
That was a first and quite nice!
Beautiful.
Uhg, this version sold an otherwise outstanding composition. If it isn’t the proper John Williams rendition, then I am especially fond of the Jim Hall jazz version.
Just love B-Tribe.
elutz wrote:
The Miles Davis version every time. His is such an understanding version of the music and contains all the power and the vast saving of the original Rodrigo composition.🐨
I prefer the Miles Davis version, but it's a great composition.
The Miles Davis version every time. His is such an understanding version of the music and contains all the power and the vast saving of the original Rodrigo composition.🐨
elutz wrote:
Yes, the version by Miles Davis is an outstanding and sensitive interpretation of the work.
I prefer the Miles Davis version, but it's a great composition.
Yes, the version by Miles Davis is an outstanding and sensitive interpretation of the work.
I like B-Tribe generally and I love Rodrigo's Concierto de Aranjuez but this mish mash is awful. There are so many much better interpretations of this beautiful work.
Mugen wrote:
The spacey echo in the background is a lead into the next cut on the recording and plays into the overall B-tribe style. Try the whole album, it is fantastic.
The spacey echoing noise in the background is a distraction. Find a recording of John William (the guitarist) doing this one.
The spacey echo in the background is a lead into the next cut on the recording and plays into the overall B-tribe style. Try the whole album, it is fantastic.
That's just fabulous!
elutz wrote:
I prefer the Maestro Rodrigo's original piece.
I prefer the Miles Davis version, but it's a great composition.
I prefer the Maestro Rodrigo's original piece.
I prefer the Miles Davis version, but it's a great composition.
Mugen wrote:
Yeah. What's up with that?
The spacey echoing noise in the background is a distraction. Find a recording of John William (the guitarist) doing this one.
Yeah. What's up with that?
I prefer the Pepe Romero recording of this with the Academy of St. Martin-in-the-Fields, but this isn't offensive - a 5.
Lovely set to finish off the weekend.
AlienRelic wrote:
I've been meaning to upload Jim Hall's version for a while as well
I especially like the Modern Jazz Quartet version on "In Memoriam", myself.
I've been meaning to upload Jim Hall's version for a while as well
I feel I am in the dentist office, just add the drill sound next room and the experience is complete.
MrStatenIsle wrote:
Nice try, but not quite as moving as the Rodrigo/Paco De Lucia version.
Have to agree with this. This is OK, it's "nice" atmospheric music but no more...
The other is haunting.
I especially like the Modern Jazz Quartet version on "In Memoriam", myself.
Mugen wrote:
The spacey echoing noise in the background is a distraction. Find a recording of John William (the guitarist) doing this one.
Agreed, THE definite modern version, pure genius.
This is the second version of this beautiful song I've heard on RP now. I still recommend the haunting jazzy version titled "Follow Me" from the movie "Ghost in the Shell II: Innocence".
The spacey echoing noise in the background is a distraction. Find a recording of John William (the guitarist) doing this one.
mgoldman wrote:
If you like this melody of this piece,I highly recommend the real deal done by Miles Davis on Sketches of Spain. My very first memory of music in 1960, with my dad putting the record on and playing along on his horn.
Oh dear.
Miles is no doubt god-like, but better read this:
https://en.wikipedia.org/wiki/Concierto_de_Aranjuez
This is nice...
If you like this melody of this piece,I highly recommend the real deal done by Miles Davis on Sketches of Spain. My very first memory of music in 1960, with my dad putting the record on and playing along on his horn.
B-Tribe... wonderful music when receiving a massage. Or late night work at the 'puter
This album is best when one succumbs to its entirety. Allow for total immersion. Then play Jonathan Elias' Prayer Cycle and wait for the peyote-esque buzz to wear off.....
jpm9678 wrote:
had a 5 year search for this song... finally
... was worth it for all of our ears really love the contrast from all the other versions of this most wonderful tune. Thanx!
Nice try, but not quite as moving as the Rodrigo/Paco De Lucia version.
THIS is what gets picked out of the B-Tribe ouevre?!
Fiesta Fatal is infinitely better... or most of the tracks on Suave Suave.
This is one of the most haunting and beautiful things ever written - but not this version. Too many ominous sound effects. It's moody enough without the theatrics. They've cluttered the gorgeous melody.
Love, love, love this--one of my favorite classical pieces!
had a 5 year search for this song... finally
Like others, I prefer the John Williams and Miles Davis versions, but there's plenty of room in the world for this rather spacy take on a fabulous piece of music.
Miles Davis or The Romeros for me, every time.