Cream — Deserted Cities of the Heart
Album: Wheels of FireAvg rating:
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Total ratings: 1967
Length: 3:36
Plays (last 30 days): 1
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Upon this street where time has died.
The golden treat you never tried.
In times of old, in days gone by.
If I could catch your dancing eye.
It was on the way,
On the road to dreams, yeah.
Now my heart's drowned in no love streams, yeah.
The street is cold, its trees are gone.
The story's told the dark has won.
Once we set sail to catch a star.
We had to fail, it was too far.
It was on the way,
On the road to dreams, yeah.
Now my heart's drowned in no love streams, yeah.
I felt the wind shout like a drum.
You said, "My friend, love's end has come."
It couldn't last, had to stop.
You drained it all to the last drop.
It was on the way,
On the road to dreams, yeah.
Now my heart's drowned in no love streams, yeah.
Now my heart's drowned in no love streams, yeah.
On this dark street the sun is black.
The winter life is coming back.
On this dark street it's cold inside.
There's no retreat from time that's died.
It was on the way,
On the road to dreams.
Now my heart's drowned in no love streams, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
Now my heart's drowned in no love streams, yeah.
Now my heart's drowned in no love.
The golden treat you never tried.
In times of old, in days gone by.
If I could catch your dancing eye.
It was on the way,
On the road to dreams, yeah.
Now my heart's drowned in no love streams, yeah.
The street is cold, its trees are gone.
The story's told the dark has won.
Once we set sail to catch a star.
We had to fail, it was too far.
It was on the way,
On the road to dreams, yeah.
Now my heart's drowned in no love streams, yeah.
I felt the wind shout like a drum.
You said, "My friend, love's end has come."
It couldn't last, had to stop.
You drained it all to the last drop.
It was on the way,
On the road to dreams, yeah.
Now my heart's drowned in no love streams, yeah.
Now my heart's drowned in no love streams, yeah.
On this dark street the sun is black.
The winter life is coming back.
On this dark street it's cold inside.
There's no retreat from time that's died.
It was on the way,
On the road to dreams.
Now my heart's drowned in no love streams, yeah, yeah, yeah, yeah, yeah, yeah, yeah.
Now my heart's drowned in no love streams, yeah.
Now my heart's drowned in no love.
Comments (89)add comment
Go Ginger!
If you're well equipped, you might mentioning the potty sound of the bass drum. And you get to know the difference between a drumset from those former days with it's real sticks, and them nowadays.
I'm in love with London! 65 I had been there with my adult sister, working for Foyle's bookshop. She rented a little flat second floor, toilett first. There we romed picadilly circus, carnaby road around, buying so small elephants carved of ivory, fitting in a some red nut, equally to a pie.
Today this village around marble arch is one of the hippest, every multimillionaire ows a flat, otherwise you're as poor as a churchmouse.
My sense of humor, exactly!
Today this village around marble arch is one of the hippest, every multimillionaire ows a flat, otherwise you're as poor as a churchmouse.
My sense of humor, exactly!
GREAT TUNE!! I bought this album right after it came out. I was 13yrs old. I could never figure out what the lyrics were. Thank You for the lyrics! 
WeAdmire wrote:
Relax and give it 10. Great lyrics, ground breaking arrangement, real craft and skill in the singing and playing. The incontrovertible proof is there, it's still fresh and ready in its mid 50s.
I AGREE completely!
Relax and give it 10. Great lyrics, ground breaking arrangement, real craft and skill in the singing and playing. The incontrovertible proof is there, it's still fresh and ready in its mid 50s.
I AGREE completely!
earthpages.org wrote:
Have a listen to 'Sunshine' on Live Cream Vol. II - recorded somewhere in the US back in the day. I think it might give you a different perspective on Clapton's phrasing. I also think someone had turned up his amp to '11' on that day.
I think Cream and Clapton are overrated. I don't find Clapton's phrasing particularly interesting. Give me Winwood and Traffic any day!
pktinkler2984 wrote:
Have a listen to 'Sunshine' on Live Cream Vol. II - recorded somewhere in the US back in the day. I think it might give you a different perspective on Clapton's phrasing. I also think someone had turned up his amp to '11' on that day.
That's a fairly broad statement made by earthpages. Since they are commenting in this chat related to "Deserted Cities of the Heart," one might assume they mean Clapton's guitar phrasing on this particular song. But then they refer to Winwood and Traffic, which suggests that they mean Clapton's guitar phrasing generally.
To narrow the focus a bit, let’s take a look at Clapton’s effort on this album—Wheels of Fire. His guitar work on Deserted Cities of the Heart, is, perhaps, not spectacular. Not surprising, as it is a song written by Jack Bruce and Pete Brown. Brown was a poet of some note and he and Bruce collaborated on several Cream songs. And I would suggest that the lyrics are one thing that makes this song memorable--that, and the way these three fine musicians weave their magic together. Gotta love Bruce’s bass.
But also on this album is “Crossroads,” generally regarded as one of Clapton’s best guitar solos and widely considered to be one of the greatest guitar solos of all time. With Crossroads, Clapton took Robert Johnson’s Delta blues song, and improvised a new solo each time he played it. The version on the Crossroads album is considered by many to be among the very best.
Just for fun, though, there is a YouTube video of Winwood and Clapton doing Crossroads together—along with Derek Trucks and Doyle Bramhall. I love Winwood’s solo, found Derek Trucks’ riveting and Clapton's masterful. So, in the end, as many have said on these pages, music relates to a moment, a mood, a context…
earthpages.org wrote:
I was just sitting here wondering ..."what do you think about this song?"
I think Cream and Clapton are overrated. I don't find Clapton's phrasing particularly interesting. Give me Winwood and Traffic any day!
I was just sitting here wondering ..."what do you think about this song?"
kingart wrote:
Relax and give it 10. Great lyrics, ground breaking arrangement, real craft and skill in the singing and playing. The incontrovertible proof is there, it's still fresh and ready in its mid 50s.
I can't help it. Gimme a 9. That is just too banging hot for an 8.
Relax and give it 10. Great lyrics, ground breaking arrangement, real craft and skill in the singing and playing. The incontrovertible proof is there, it's still fresh and ready in its mid 50s.
earthpages.org wrote:
Have a listen to 'Sunshine' on Live Cream Vol. II - recorded somewhere in the US back in the day. I think it might give you a different perspective on Clapton's phrasing. I also think someone had turned up his amp to '11' on that day.
I think Cream and Clapton are overrated. I don't find Clapton's phrasing particularly interesting. Give me Winwood and Traffic any day!
Have a listen to 'Sunshine' on Live Cream Vol. II - recorded somewhere in the US back in the day. I think it might give you a different perspective on Clapton's phrasing. I also think someone had turned up his amp to '11' on that day.
I think Cream and Clapton are overrated. I don't find Clapton's phrasing particularly interesting. Give me Winwood and Traffic any day!
It was all good!
GODLIKE!!!!
On such another level! The intensity they could generate and sustain for a time was truly mind-blowing. Would have been wild to see live!
chinaski wrote:
Yeah the Farewell Concert at the LA Forum in 1968 is still fresh in my mind!
What an amazing time it was back in the day to be a teen having this roaring from the stereo. Wow.
Yeah the Farewell Concert at the LA Forum in 1968 is still fresh in my mind!
stevesaw wrote:
the husband-wife-radioparadise triangle -- the same all over the world ;-)
Just waiting for my wife to poke her head in "Can you turn it down a bit?"
no. not yet.
the husband-wife-radioparadise triangle -- the same all over the world ;-)
sarou wrote:
You are referencing the genius of Felix Pappalardi
You are referencing the genius of Felix Pappalardi
Have never heard this one, Bill! Stunning!! Thanks RP. What a gem. Maybe you played this on KLRB? 
wtf is happening in the infra bass of this track? all along is like they are playing in front of a truck engine running XD, I'm wonder where does it come from?
tonyinnj wrote:
Haddonfield Music Tent, NJ. Held maybe a thousand people.
Haddonfield Music Tent, NJ. Held maybe a thousand people.
martinc wrote:
Capital Theatre on Bank Street - 1968 I think it was.
For me it was the Capital Theater on Monroe street in Passaic, NJ...
Showed porn films during the day, rock concerts at night...Saw
Pink Floyd there in "quad"...As Bette Davis might say, "What...a...
dump!" But a great dump...
Tony in NJ
W.A.S.T.E.
For me it was the Capital Theater on Monroe street in Passaic, NJ...
Showed porn films during the day, rock concerts at night...Saw
Pink Floyd there in "quad"...As Bette Davis might say, "What...a...
dump!" But a great dump...
Tony in NJ
W.A.S.T.E.
stevesaw wrote:
Just waiting for my wife to poke her head in "Can you turn it down a bit?"
no. not yet.
no. not yet.
john_m_hopkins wrote:
(My wife knows better...)
Oh yes!
(My wife knows better...)
Oh yes!
Nice segue to allow Ginger Baker to work off that last Taco
Around 9 years old, went upstairs at a friend's house in City Island, NY one summer: on the coffee table lay three albums: Wheels of Fire, Electric Ladyland, and Cheap Thrills. A guitar case lay open near by with his big brother's white Stratocaster in it. Talk about a moment that defined a big part of the rest of my life....
stevesaw wrote:
(My wife knows better...)
Just waiting for my wife to poke her head in "Can you turn it down a bit?"
no. not yet.
no. not yet.
(My wife knows better...)
Insanely great stuff, a reminder of how deep Cream were after their well-known hits, which are overplayed.
Just waiting for my wife to poke her head in "Can you turn it down a bit?"
no. not yet.
no. not yet.
rushed wrote:
When Ginger isn't make tacos....
jvalatka wrote:
And Jack Bruce — whose voice is unmistakable on this track.
RIP Ginger Baker
And Jack Bruce — whose voice is unmistakable on this track.
When Ginger isn't make tacos....
westslope wrote:
Of all the 'heavy rock' from the period, why do I like this so much, yet I feel indifferent towards Led Zepplin, most of Deep Purple, Black Sabbath?
I am on the coach.
To me there was insight in what they did. I did not have the impression they were concerned about mugging me for my money through faux empathy with my pathetic attempts with girls. They seemed to be playing and developing in the way they wanted to. Deserted Cities is a good example but there are plenty more: Tales of Brave Ulysses, Strange Brew, Politician, What a Bringdown, Badge and many more. Gorgeous stuff. When the likes of Zepplin et al sing of love it might sound OK but it nearly always tends to adolescent mysogyny. There is rarely any insight. It's a stretch but I think you can say the same for the melodies as well as the lyrics for the majority of the bands Cream influenced. That is just about everything that came after them. I am on the coach.
Wow! Thanks Bill!
Gorgeous. What a double album. The writing credit for this one is Bruce and Brown but I expect Bruce was being generous with Brown. who's lyrics are normally cobblers, and tight with Baker who is credited not at all for what is a superb arrangement. It was a 9 for me but it's upped to a 10. Hiatt followed by Cream at their best. Only on RP.
Wow
Just who is that guy plucking on a string?
OUTSTANDING
Just who is that guy plucking on a string?
OUTSTANDING
Tight!
Thanks RP, almost forgot how good this gem is....
Great song!
Great song. One of the best rock song titles.
I can't help it. Gimme a 9. That is just too banging hot for an 8.
Hey B&R, I just love the creativity of your playlists!
Cream following Kula Shaker, Tattva makes me hungry for tacos:)
Cream following Kula Shaker, Tattva makes me hungry for tacos:)
thewiseking wrote:
I will agree. While he produced Disraeli Gears, and co-wrote a couple of the songs, Mr Pappalardi was an excellent bassist himself. (See Mountain.)
Not sure he's the creator of 'metal', but will agree enthusiastically that he was a YUGE influence in the development of heavy arena-based rock.
Felix Pappalardi was the genius behind this and the creation of what we now refer to as METAL
I will agree. While he produced Disraeli Gears, and co-wrote a couple of the songs, Mr Pappalardi was an excellent bassist himself. (See Mountain.)
Not sure he's the creator of 'metal', but will agree enthusiastically that he was a YUGE influence in the development of heavy arena-based rock.
20 minutes too short
RIP Ginger Baker
stevesaw wrote:
Sounds like it could be a Telecaster.
I think Cream was a bit more experimental.
I've heard this song a bazllion times, yet I always stop, turn up the volume, and relish it each time.
Anyone know how Clapton gets that particular sound during the solo?
Sounds like it could be a Telecaster.
Felix Pappalardi was the genius behind this and the creation of what we now refer to as METAL
Rating 7 down to 6 for me
Ahhhhh, nice to hear Cream that isn't White Room or Sunshine.... well-played, Bill!
I think Cream was a bit more experimental.
I've heard this song a bazllion times, yet I always stop, turn up the volume, and relish it each time.
Anyone know how Clapton gets that particular sound during the solo?
westslope wrote:
Of all the 'heavy rock' from the period, why do I like this so much, yet I feel indifferent towards Led Zepplin, most of Deep Purple, Black Sabbath?
I am on the coach.
I am on the coach.
Crank it up!
kcar wrote:
Two listings of personnel and instruments lean towards Proclivities' opinion. It sounds like a xylophone or glockenspiel being muted slightly so you don't hear a lot of ringing—but there's no mention of either instrument in the listings for this track. Pappalardi does play a viola here, and it's definitely possible that he plucked only a short section of strings to get that muted, metallic sound.
But it's weird, though: the band used a glockenspiel on the song "Passing The Time", so why not use it here instead of doing some weird shit with a viola? Was it just a matter of the drugs making the decisions?
kcar, Proclivities: Love discussions like this. 10^3 thanks.
Two listings of personnel and instruments lean towards Proclivities' opinion. It sounds like a xylophone or glockenspiel being muted slightly so you don't hear a lot of ringing—but there's no mention of either instrument in the listings for this track. Pappalardi does play a viola here, and it's definitely possible that he plucked only a short section of strings to get that muted, metallic sound.
But it's weird, though: the band used a glockenspiel on the song "Passing The Time", so why not use it here instead of doing some weird shit with a viola? Was it just a matter of the drugs making the decisions?
kcar, Proclivities: Love discussions like this. 10^3 thanks.
Of all the 'heavy rock' from the period, why do I like this so much, yet I feel indifferent towards Led Zepplin, most of Deep Purple, Black Sabbath?
I am on the coach couch.
I am on the coach couch.
Queue wrote:
I think it is a Xylophone.
Proclivities wrote:
That's a stringed instrument being plucked (pizzicato), not a percussion instrument. It's probably the viola that Pappalardi is credited for.
Two listings of personnel and instruments lean towards Proclivities' opinion. It sounds like a xylophone or glockenspiel being muted slightly so you don't hear a lot of ringing—but there's no mention of either instrument in the listings for this track. Pappalardi does play a viola here, and it's definitely possible that he plucked only a short section of strings to get that muted, metallic sound.
But it's weird, though: the band used a glockenspiel on the song "Passing The Time", so why not use it here instead of doing some weird shit with a viola? Was it just a matter of the drugs making the decisions?
I think it is a Xylophone.
Proclivities wrote:
That's a stringed instrument being plucked (pizzicato), not a percussion instrument. It's probably the viola that Pappalardi is credited for.
Two listings of personnel and instruments lean towards Proclivities' opinion. It sounds like a xylophone or glockenspiel being muted slightly so you don't hear a lot of ringing—but there's no mention of either instrument in the listings for this track. Pappalardi does play a viola here, and it's definitely possible that he plucked only a short section of strings to get that muted, metallic sound.
But it's weird, though: the band used a glockenspiel on the song "Passing The Time", so why not use it here instead of doing some weird shit with a viola? Was it just a matter of the drugs making the decisions?
One word describes these guys: AWESOME!
kcar wrote:
Definitely, but your counts of musicians and instruments is off. The list below doesn't include something like a glockenspiel, which Ginger starts playing around 1:51. Overall, an incredible sound. Ginger's drumming here is not like anything else I've heard in rock.
"Deserted Cities of the Heart"
Eric Clapton – guitars Gibson Reverse Firebird & Gibson SG standard ("Fool") backing track and lead guitar
Jack Bruce – bass, vocals, cello, acoustic guitar
Ginger Baker – drums, tambourine
Felix Pappalardi – viola
That's a stringed instrument being plucked (pizzicato), not a percussion instrument. It's probably the viola that Pappalardi is credited for.
Definitely, but your counts of musicians and instruments is off. The list below doesn't include something like a glockenspiel, which Ginger starts playing around 1:51. Overall, an incredible sound. Ginger's drumming here is not like anything else I've heard in rock.
"Deserted Cities of the Heart"
Eric Clapton – guitars Gibson Reverse Firebird & Gibson SG standard ("Fool") backing track and lead guitar
Jack Bruce – bass, vocals, cello, acoustic guitar
Ginger Baker – drums, tambourine
Felix Pappalardi – viola
That's a stringed instrument being plucked (pizzicato), not a percussion instrument. It's probably the viola that Pappalardi is credited for.
kcar wrote:
Definitely, but your counts of musicians and instruments is off. The list below doesn't include something like a glockenspiel, which Ginger starts playing around 1:51.
I think it is a Xylophone.
Definitely, but your counts of musicians and instruments is off. The list below doesn't include something like a glockenspiel, which Ginger starts playing around 1:51.
I think it is a Xylophone.
kingart wrote:
Definitely, but your counts of musicians and instruments is off. The list below doesn't include something like a glockenspiel, which Ginger starts playing around 1:51. Overall, an incredible sound. Ginger's drumming here is not like anything else I've heard in rock.
"Deserted Cities of the Heart"
Eric Clapton – guitars Gibson Reverse Firebird & Gibson SG standard ("Fool") backing track and lead guitar
Jack Bruce – bass, vocals, cello, acoustic guitar
Ginger Baker – drums, tambourine
Felix Pappalardi – viola
S-M-O-K-I-N-G hot. Never to be a band sound like that again. Three men, four instruments, a solid wall of music.
Definitely, but your counts of musicians and instruments is off. The list below doesn't include something like a glockenspiel, which Ginger starts playing around 1:51. Overall, an incredible sound. Ginger's drumming here is not like anything else I've heard in rock.
"Deserted Cities of the Heart"
Eric Clapton – guitars Gibson Reverse Firebird & Gibson SG standard ("Fool") backing track and lead guitar
Jack Bruce – bass, vocals, cello, acoustic guitar
Ginger Baker – drums, tambourine
Felix Pappalardi – viola
S-M-O-K-I-N-G hot. Never to be a band sound like that again. Three men, four instruments, a solid wall of music.
Love everything about this song, this album, this band.
Bert7 wrote:Revolutionary band...
S O L I D
Skydog wrote:
Have you listened to this?: https://en.wikipedia.org/wiki/Silver_Rails
after I have said that I liked Cream people say, oh an Eric Clapton fan, and I respond, no I'm a Jack Bruce fan
.
(never tell your mother she's out of tune)
.
(never tell your mother she's out of tune)
Have you listened to this?: https://en.wikipedia.org/wiki/Silver_Rails
Revolutionary band...
The third Cream song that Bill has played today. Thank you Bill!
Very Contemporary Art
after I have said that I liked Cream people say, oh an Eric Clapton fan, and I respond, well yes but I'm a big Jack Bruce fan
.
(never tell your mother she's out of tune)
.
(never tell your mother she's out of tune)
What an amazing time it was back in the day to be a teen having this roaring from the stereo. Wow.
coloradojohn wrote:
For years I only knew the "Live Cream vol. II" version, but this studio recording is far better. The drumming and guitar are crazy...
One of the greatest bassists of the time! and sizzling guitar n drums in there, too... Lots of similarities with Jefferson Airplane, as well...
For years I only knew the "Live Cream vol. II" version, but this studio recording is far better. The drumming and guitar are crazy...
Jack Bruce could write a song
Fabulous! Rockin' in the kitchen~
idiot_wind wrote:
Actually it was black and a shiny silver on the regular album cover but it doesn't show up in the picture here.
Geez...whoever this band is, they sure could use a decent guitar player and a drummer.
And the album cover is in black and white. Pretty old fashioned.
And the album cover is in black and white. Pretty old fashioned.
Actually it was black and a shiny silver on the regular album cover but it doesn't show up in the picture here.
Good old cream......cooking on gas 
Geez...whoever this band is, they sure could use a decent guitar player and a drummer.
And the album cover is in black and white. Pretty old fashioned.
And the album cover is in black and white. Pretty old fashioned.
Haddonfield NJ Music tent ~ about the same time. Then about a year later the 'New Cream' (Blind Faith) at the Spectrum in Philly.
Those were the days.....
martinc wrote:
Those were the days.....
martinc wrote:
Capital Theatre on Bank Street - 1968 I think it was.
Rock in Peace (RIP), Jack. Your minor-key singing was unique.
Funny how this sounds a bit like Bowie in the The Man Who Sold The World days...
One of the greatest bassists of the time! and sizzling guitar n drums in there, too... Lots of similarities with Jefferson Airplane, as well...
mgkiwi wrote:
FUCK!!! FUUUUUUCK MAN, WOOO-HOOO!!! That piece is wicked ; )
FUCK, this takes me back!!! 
FUCK!!! FUUUUUUCK MAN, WOOO-HOOO!!! That piece is wicked ; )
Capital Theatre on Bank Street - 1968 I think it was.
RIP Jack Bruce 25 October 2014 ...
... love the past
black321 wrote:
I feel that way about some of their songs too - but this is scorchin'. First time I've heard it.
Never got into Cream; too bombastic.
I feel that way about some of their songs too - but this is scorchin'. First time I've heard it.
Real class, real class.
Grow up!
mgkiwi wrote:
Grow up!
mgkiwi wrote:
FUCK, this takes me back!!!
Never got into Cream; too bombastic.
FUCK, this takes me back!!!
A great tune from what most rock 'n' roll aficionados consider the "cream of the crop" of drummer, bassist, and guitarist at that time-Baker, Bruce, and Clapton. Those who don't rate this at least a 6 out of respect don't know much about what made rock 'n' roll what it is today. Factoid: They originally thought of calling themselves: Sweet 'n' Sour Rock 'n' Roll!
awesome oh god those drums!!! love it, cool cover-art even
Good Song!
Go Ginger!